Showing posts with label fredric march. Show all posts
Showing posts with label fredric march. Show all posts

Friday, 10 August 2012

It's a Big Country (1951) - Star of the month... Gene Kelly


'It's a Big Country' is a  1951 anthology film, comprised of eight individual segments celebrating the beauty and diversity of America.

Directed by Clarence Brown, Don Hartman, John Sturges, Richard Thorpe, Charles Vidor, Don Weis and William A. Wellman, the film is narrated by Louis Calhern.

The actors (referred to as citizens) include Leon Ames, Ethel Barrymore, Keefe  Brasselle, Gary Cooper, Nancy Davis, Van Johnson, Gene Kelly, Janet Leigh, Sharon MacManus, Marjorie Main, Fredric March, George Murphy, William Powell, S.Z. Sakall, Lewis Stone, James Whitmore and Keenan Wynn.

I have structured this blog post into segments, according to how the film is structured, discussing each segment in turn.


Segment #1 - 

Whilst on a train to New York, New York, Mr. Stacey (played by Whitmore) meets a Professor (played by Powell), and tells him he loves America. The Professor asks "Which America?", and goes on to teach Mr. Stacey about the diversity of America. Mr. Stacey learns America is politically, religiously, and culturally diverse, and always evolving. The segment ends as Mr. Stacey walks into the dining cart, and meets an elderly woman (played by Elisabeth Risdon), who says she loves America. Mr. Stacey asks her "Which America?". Although the segment ends there, it is obvious Mr. Stacey will use this an opportunity to pass on the knowledge which he has just acquired.  This opening segment sets the scene for what is to come in subsequent segments.


Segment #2

Set in Boston, the city of great American tradition and Paul Revere. Mrs. Brian Patrick Riordan (played by Barrymore) travels to her local newspaper to meet with the Managing Editor, Mr. Callaghan (played by Murphy) to report she was not captured in the recent census. At 74 years of age, Mrs. Riordan is concerned she may not be alive for the next census in ten years time.  With the help of reporter Michael Fisher (played by Wynn), Mrs. Riordan is visited by a government official for inclusion in the census.

This segment focuses on the Irish American community of America, and also demonstrates the importance of participating in the census.

Ethel Barrymore delivers one of her finest performances in her brief appearance in this film.


Segment #3

We are then taken through a who's who of successful African Americans, athletes and entertainers including Lena Horne, Louis Armstrong, Duke Ellington, Eddie Anderson and Ethel Waters.


Gene Kelly as Icarus Xenophon
This segment is very different to the others, in that there is no storyline or plot. It is simply a patriotic narration with images of successful African Americans. Considering the degree of African-American segregation in the early 1950's, I would be very interested to have been a fly on the wall during initial screenings of this film to witness the audience reaction, particularly in the Southern states.


Segment #4

In the next segment we meet Hungarian American Stefan Szabo (played by Sakall) and his six daughters. Stefan has a prejudice against Greeks, which becomes an issue for his eldest daughter Rosa (played by Leigh), who has fallen in love with Greek American Icarus Xenophon (played by Kelly).


Janet Leigh as Rosa Szabo
This segment serves as a parable for immigrants, that they should leave any ancient grudges behind when they arrive in America. A message still relevant in today's society.

Everyone's favourite Hungarian American S.Z. Sakall is perfectly cast as Stefan Szabo. Even in a dramatic role, Sakall makes as laugh.


Segment #5



 Mrs. Wrenley (played by Marjorie Main), is visited by
Sgt. Maxie Klein (played by Keefe Brasselle)
a tour of the armed forces,  soldiers, sailors, marines and the airforce

Sgt. Maxie Klein (played by Brasselle) visits Mrs. Wrenley (played by Main), the  mother of his war buddy Jack, who was killed in action.

It is interesting seeing Marjorie Main in a serious dramatic role.




Segment #6



We travel deep in the heart of Texas, where we meet a cowboy named Texas (played by Cooper). In this very short segment, Texas talks about the state of Texas, and myth busts rumours and perceptions of the other 47 states. 

When watching this film, it's important to remember in 1951 there were only 48 states in the USA. In 1959, Alaska became the 49th state.


Segment #7

Rev. Adam Burch (played by Johnson) takes on a new congragation, and receives constructive feedback by a Church sexton (played by Stone). As a result of taking on this feedback, the Reverend becomes a greater pasteur.


Segment #8

Joseph Esposito (played by Bobby Hyatt) is told by his teacher, Miss Coleman (played by Davis) that he needs glasses. His strict Italian American father, Joe Esposito (played by March) refuses to believe his son needs glasses and opposes Miss Coleman's recommendation.


Closing remarks

Although the content of the eight segments are a little dated, not surprisingly the messages contained within each segment are still relevant in today's society of discrimination and segregation.

The only criticism I have on this film is the sugar coated endings to each segment are often unrealistic and difficult to believe, however I appreciate this is the intention of the filmmakers to convey the messages.

Sunday, 8 July 2012

Anthony Adverse (1936) - Star of the month... Olivia de Havilland



Fredric March and Olivia de Havilland as
Anthony and Angela
Anthony Adverse is the 1935 epic costume drama starring Fredric March, Olivia de Havilland, Claude Rains, Anita Louise,  Donald Woods, Edmund Gwenn, Gale Sondergaard, Akim Tamiroff, Louis Hayward, Pedro de Córdoba, Ralph Morgan, Henry O'Neill, Steffi Duna and Billy Mauch.


Directed by Mervyn LeRoy, the screenplay by Sheridan Gibney is based on the novel of the same name by Hervey Allen.


Two years in the making, Anthony Adverse is an unforgettable story featuring a cast of 5000, including 98 speaking characters (a very high number for the 1930s).






Watch the trailer:


An unforgettable story

'Anthony Adverse' is the story of Anthony Adverse (played by March), the illegitimate child of Maria Bonnyfeather (played by Louise) and Denis Moore. After Maria dies during childbirth, her cruel nobleman husband Marquis Don Luis (played by Rains) leaves the baby at a convent. 


When Anthony turns 10, by coincidence he becomes an apprentice for John Bonnyfeather (played by Gwynn), his real grandfather. After finding of his late daughters possessions with Anthony, and noticing Anthony's resemblance to Maria, John discovers Anthony is his real grandson, but decides to keep this secret from him.  


Louis Hayward as Denis Moore
As Anthony grows up he falls in love with the cook's daughter Angela Giuseppe (played by de Havilland), who he later marries. After the wedding, Anthony leaves for Havana to collect a debt for his grandfather.  Assuming Anthony has deserted her, Angela pursues a career as an opera singer.


Matters are complicated when his grandfather's wife, Faith Paleologus (played by Sondergaard) tries to steal Anthony's inheritance from him after his grandfather's death.




Did you know...


  • This was Gale Sondergaard's first film
  • The book 'Anthony Adverse' was actor Tony Curtis' favourite book - he even named himself Tony from the title character
  • Gale Sondergaard was the first ever recipient of the Best Supporting Actress Oscar for this film
  • Billy Mauch was cast in the film as young Anthony Adverse, due to his resemblance to Fredric March

Awards and nominations

  • Academy Award winner for Best Supporting Actress (Gale Sondergaaard)
  • Academy Award winner for Best Cinematography
  • Academy Award winner for Best Film Editing
  • Academy Award winner for Best Musical Scoring
  • Academy Award nomination for Best Assistance Director
  • Academy Award nomination for Best Art Direction
  • Academy Award nomination for Best Picture


Closing remarks

The trailer said "The event of the century" - not sure about the event of the century, but definitely the best I've seen from 1936. It is very long, but still a great story.  I am baffled this film is still yet to be released on DVD, considering it was such an achievement, and the supplementary material which already exists, such as the theatrical trailer and short film 'Anthony Adverse: The Making of a Great Motion Picture.'

Monday, 11 June 2012

Anna Karenina

Star Birthday - Basil Rathbone


Basil Rathbone was born in South Africa on 13 June 1892. He began his career as a Shakespearean stage actor, and went on to star in over 70 films. He often portrayed villainous characters. Rathbone is probably most famous for playing Sherlock Holmes in fourteen films and on radio. Rathbone died on 21 July 1967.

For my blog I have chosen Rathbone's role as Greta Garbo's nasty husband in Anna Karenina (1935).

Recommended viewing


Anna Karenina (1935)



Anna Karenina (1935) starring Greta Garbo is the most famous and critically acclaimed film version of the Tolstoy novel. The film co-stars Fredric March, Basil Rathbone and Freddie Bartholomew.

The film tells of Anna Karenina, the wife of an official who falls in love with a military officer while she is on a trip. The indiscreet affair causes the ruin of her marriage, and her ability to see her son.

As usual Garbo is both glamorous and tragic in this film. Her first appearance in the film is magical as she emerges from the train in a cloud of smoke. Garbo received a New York Film Critics Circle Award for Best Actress.

Anna's relationship with her son

**Spoiler alert**
At the beginning of the film, Anna misses her son, and says: "My only child. I've never left him before". During their scenes together, the camera frames Anna and Sergei quite close together, to symbolise the mother-son bond they share. Sergei even says to Anna: "When I'm as big as you are, I won't let you travel alone. I'll take you every place." As Anna is saying goodbye to Sergei he tells her, "You know I can't sleep unless you kiss me good night."

Ironically, after her husband refuses to give her a divorce Anna chooses life with her lover over her son. At the end of the film when Anna chooses to throw herself in front of the train, we can't help but wonder who Anna loved more, her love or her son.

Concluding remarks

I have seen this film a few times now, and every time I watch it, I seem to enjoy it more and more. This is one of Garbo's greatest films, and strongly recommend watching this film. 

Saturday, 26 May 2012

ANNA KARENINA (1935)

Spotlight on Movie Mothers - Mothers Dearest and Star Birthday - Maureen O'Sullivan


Star Birthday - Maureen O'Sullivan 

Maureen O'Sullivan was born on 17 May 1911 and is the mother of actress of Mia Farrow. She is most famous for playing the role of Jane in the original Tarzan the Ape Man (1932).


Recommended viewing

Keeping with the spotlight on Movie Mothers throughout May, I have selected her performance as Kitty in Anna Karenina (1935) for my blog.

Anna Karenina (1935)



Anna Karenina (1935) starring Greta Garbo is the most famous and critically acclaimed film version of the Tolstoy novel. 


The film tells of Anna Karenina, the wife of an official who falls in love with a military officer while she is on a trip. The indiscreet affair causes the ruin of her marriage, and her ability to see her son.

As usual Garbo is both glamorous and tragic in this film. Her first appearance in the film is magical as she emerges from the train in a cloud of smoke. Garbo received a New York Film Critics Circle Award for Best Actress.

Anna's relationship with her son

**Spoiler alert**
At the beginning of the film, Anna misses her son, and says: "My only child. I've never left him before". During their scenes together, the camera frames Anna and Sergei quite close together, to symbolise the mother-son bond they share. Sergei even says to Anna: "When I'm as big as you are, I won't let you travel alone. I'll take you every place." As Anna is saying goodbye to Sergei he tells her, "You know I can't sleep unless you kiss me good night."

Ironically, after her husband refuses to give her a divorce Anna chooses life with her lover over her son. At the end of the film when Anna chooses to throw herself in front of the train, we can't help but wonder who Anna loved more, her love or her son.

Concluding remarks

I have seen this film a few times now, and every time I watch it, I seem to enjoy it more and more. This is one of Garbo's greatest films, and strongly recommend watching this film.